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Unfortunately for Bless, the other four decided to move on as a unit, using their mixtape hunger and lyrical prowess as a guiding light. The four would unite, along with the “Pete Best” of the bunch Nino Bless, developing chemistry that would merit further discussion.
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Though their paths seldom crossed as collaborators, Joe Budden would ultimately prove to be the glue on his album Halfway House. And Death Row veteran Crooked I’s modus operandi remained as it had always been, unadulterated bars delivered in unparalleled fashion. Dre’s Aftermath Entertainment, a testament to his artistic pedigree. Brooklyn’s Joell Ortiz was coming off a brief but short-lived stint on Dr. Joe Budden was in the midst of building the type of resume that would one day place him in a viral list’s top three greatest rappers of all time, mission accomplished. With that came a noted sense of competitive spirit, fueled by his deadly addiction to Patron.
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Royce Da 5’9”, then coming off the creation of his acclaimed Bar Exam tape (a series that we’ll explore further in another piece), had developed the habit of obliterating any track on his doorstep. In the underworld, however, several wily veterans were reaping the spoils of a creative apex. The new era of mixtape dominance was on the horizon with a wealth of future superstars eyeing their respective debuts. The mixtape deities were certainly smiling upon the Earth when Slaughterhouse first assembled. Seven years down the road, has Slaughterhouse's "Welcome To Our House" aged gracefully?